For the unrelated roll-film format produced from 1898 to 1929, see 110 film (roll format).
110 is a cartridge-based film format used in still photography. It was introduced by Kodak in 1972. 110 is essentially a miniaturised version of Kodak's earlier 126 film format. Each frame is 13 mm × 17 mm (0.51 in × 0.67 in), with one registration hole. There were 24 frames per cartridge that occasionally enabled the user to capture an extra image due to production variations.
The film is fully housed in a plastic cartridge, which also registers the image when the film is advanced. There is a continuous backing paper, and the frame number and film type are visible through a window at the rear of the cartridge. The film does not need to be rewound and is very simple to load and unload. It is pre-exposed with frame lines and numbers, a feature intended to make it easier and more efficient for photofinishers to print.
The 110 cartridge was introduced by Kodak in 1972 with Kodak Pocket Instamatic cameras with Kodachrome-X, Ektachrome-X, Kodacolor II, and Verichrome Pan film. The new pocket-sized cameras became immediately popular, and soon displaced competing subminiature cameras, such as the Minolta 16 series, from the market. The 110 film width is 16 mm. A four frame strip measures 111 mm.
Tyco (in their Spy Tech line of toys) made two toy spy cameras in the early 1990s that utilized 110 film, called the Hidden Camera and Reese's Camera. The Reese's Camera natively looked like a Reese's candy box, while the Hidden Camera came with a removable cardboard cover sleeve with small cutouts for the trigger button and front lens that made it resemble a Good & Plenty candy box. The Hidden Camera had a periscope-like attachment that used a mirror for taking pictures around corners or behind objects. The Hidden Camera's shape and size is similar to that of the Minox B.
Although the format is most closely associated with cheaply produced, low-cost cameras, Canon, Minolta, Minox, Pentax, Rollei, Voigtländer, and others, as well as Kodak, offered sophisticated, expensive 110 cameras, with excellent multi-element focusing lenses and precise, electronically controlled exposure systems. Such cameras are capable of making high-quality images on 110 film. Some of these cameras are quite small and still hold appeal to subminiature-photography enthusiasts.
The small negative size of 110 film makes it difficult to enlarge successfully. For these reasons, the 110 format is associated with prints that are often rather grainy and unsharp. This has led to the misconception that the cartridge itself is incapable of holding film flat enough for making high-quality negatives.
The 110 cartridge, as specified by Kodak, has a plastic tab on one end. Camera designers had the option of using this tab to sense film speed, enabling sophisticated cameras to switch between high- and low-speed film. A short tab indicated high-speed film, and a long tab indicated low-speed film. Kodak left it to the film manufacturer to decide which film speeds were high or low. Only a few cameras took advantage of this feature: Rollei A110, Canon 110 ED 20, Minolta 110 Zoom SLR Mark I/II, Minox 110S, Voigtlander Vitoret 110 EL, Pentax Auto 110.
Some manufacturers would vary the low speed ASA setting and then change it in later models. For example, Minox 110S low speed was 64 ASA (Kodachrome then being made for 110) and high 400 ASA: but Canon 110 ED has 80 ASA only, with the 110 ED 20 having 80 and 400 ASA. 
The last 110 film that Kodak produced was ISO 400 speed packed in a cartridge that senses as "low" speed. As shown in the photograph to the right, these cartridges can be modified by hand so that they signal the proper speed to the camera.
Although the format is commonly associated with print film, Kodak also produced Kodachrome 64 slide film in 110 cartridges until 1982. In 2012 Lomography re-introduced slide film for 110 with their Peacock 200 ASA model. However, since not all 110 cameras have a settable ASA dial (low or high, depending on presence of a notch in the cassette), a ND filter has to be used over the lens or the exposure compensation dial has to be used where available. Otherwise, over-exposure by a factor of x2 will result, leading to over-exposed images.
Along with standard-sized slides that fit into standard projectors, 110 slide film could also be processed into smaller format slides. The latter requires special Pocket Carousel projectors. or the Leica 110 projector. The sub-miniature slides are mounted in small mounts, or for Kodachrome mounted in 35mm-sized mounts with a 110 frame. There are also mount adapters available that allow the small mounts to be projected in a common 35mm projector. These adapters were not entirely satisfactory however, as to project the smaller slide at a size comparable to that from 35mm the projector had to be moved further from the screen, resulting in a dimmer image. Dedicated 110 projectors overcame this by using a brighter lamp.[original research?]