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Johannes Trithemius'Polygraphiae (1518)

As a physical object, a book is a stack of usually rectangular pages (made of papyrus, parchment, vellum, or paper) oriented with one edge tied, sewn, or otherwise fixed together and then bound to the flexible spine of a protective cover of heavier, relatively inflexible material. The technical term for this physical arrangement is codex (in the plural, codices). In the history of hand-held physical supports for extended written compositions or records, the codex replaces its immediate predecessor, the scroll. A single sheet in a codex is a leaf, and each side of a leaf is a page.

As an intellectual object, a book is prototypically a composition of such great length that it takes a considerable investment of time to compose and a still considerable, though not so extensive, investment of time to read. This sense of book has a restricted and an unrestricted sense. In the restricted sense, a book is a self-sufficient section or part of a longer composition, a usage that reflects the fact that, in antiquity, long works had to be written on several scrolls, and each scroll had to be identified by the book it contained. So, for instance, each part of Aristotle's Physics is called a book, as of course, the Bible encompasses many different books. In the unrestricted sense, a book is the compositional whole of which such sections, whether called books or chapters or parts, are parts.

The intellectual content in a physical book need not be a composition, nor even be called a book. Books can consist only of drawings, engravings, or photographs, or such things as crossword puzzles or cut-out dolls. In a physical book, the pages can be left blank or can feature an abstract set of lines as support for on-going entries, i.e., an account book, an appointment book, a log book, an autograph book, a notebook, a diary or day book, or a sketchbook. Some physical books are made with pages thick and sturdy enough to support other physical objects, like a scrapbook or photograph album. Books may be distributed in electronic form as e-books and other formats.

Although in ordinary academic parlance a monograph is understood to be a specialist academic work, rather than a reference work on a single scholarly subject, in library and information science monograph denotes more broadly any non-serial publication complete in one volume (book) or a finite number of volumes (even a novel like Proust's seven-volume In Search of Lost Time), in contrast to serial publications like a magazine, journal, or newspaper. An avid reader or collector of books or a book lover is a bibliophile or colloquially, "bookworm". A shop where books are bought and sold is a bookshop or bookstore. Books are also sold elsewhere. Books can also be borrowed from libraries. Google has estimated that as of 2010, approximately 130,000,000 distinct titles had been published. In some wealthier nations, the sale of printed books has decreased because of the increased usage of e-books.

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The opening page of the Laud Manuscript. The scribal hand is the copyist's work rather than either the First or Second continuation scribes.

The Peterborough Chronicle (also called the Laud Manuscript), one of the Anglo-Saxon Chronicles, contains unique information about the history of England after the Norman Conquest. According to philologist J.A.W. Bennett, it is the only prose history in English between the Conquest and the later 14th century.The Anglo-Saxon Chronicles were composed and maintained between the various monasteries of Anglo-Saxon England and were an attempt to record the history of Britain throughout the years AD. Typically the chronicles began with the birth of Christ, went through Biblical and Roman history, then continued to the present. Every major religious house in England kept its own, individual chronicle, and the chronicles were not compared with each other or in any way kept uniform. However, whenever a monastery's chronicle was damaged, or when a new monastery began a chronicle, nearby monasteries would lend out their chronicles for copying. Thus, a new chronicle would be identical to the lender's until they reached the date of copying and then would be idiosyncratic.

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Upper cover of the Felbrigge Psalter.

Credit: Anne de Felbrigge

The Felbrigge Psalter is an illuminated manuscript Psalter from mid-thirteenth century England that has an embroidered bookbinding which probably dates to the early fourteenth century.

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March 14, 2012

After a 244-year span in print, the Encyclopædia Britannica will discontinue its published volumes. With less than 1% of revenue coming from print versions, Jorge Cauz, Britannica's president, indicates there simply is not sufficient demand for the print publication. In the last 11 years demand has plummeted due to competition from Wikipedia and Britannica's own digital version. Britannica peaked in sales in 1990 with 120,000 sets sold. The 2010 edition will be the last in print and has sold 8,000 sets to date; with 4,000 sets remaining.

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Sir John Vanbrugh in Godfrey Kneller's Kit-cat portrait.

Sir John Vanbrugh (pronounced "Van'-bru") (January 24, 1664?–March 26, 1726) was an English architect and dramatist, perhaps best known as the designer of Blenheim Palace. He wrote two argumentative and outspoken Restoration comedies, The Relapse (1696) and The Provoked Wife (1697), which have become enduring stage favourites but originally occasioned much controversy.Vanbrugh was in many senses a radical throughout his life. As a young man and a committed Whig, he was part of the scheme to overthrow James II, put William III on the throne and protect English parliamentary democracy, dangerous undertakings which landed him in the dreaded Bastille of Paris as a political prisoner. In his career as a playwright, he offended many sections of Restoration and 18th-century society, not only by the sexual explicitness of his plays, but also by their messages in defence of women's rights in marriage. He was attacked on both counts, and was one of the prime targets of Jeremy Collier's Short View of the Immorality and Profaneness of the English Stage.

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